“tetramorph,” the new ep from daniele antezza’s inner8, consolidates and expands upon the gains previously made by that project, as well as those made by the acclaimed dadub production team. like all previous antezza productions, it is distinguished by its exactly proportional mix of fluid and ephemeral sound phenomena with rain showers of colossal beats: an alchemical mix which brings us the three-dimensional atmosphere suggested by the holotone label’s name.

good ratio music looks deep into the brume and strikes gold with the first ep from carlo on the imprint. forget me not is a record that plays directly into one of the strengths of the artist: melting a coherent whole from ephemeral parts. carlo keeps it rather fiercely on the house grooves, creating a far out sound with his fluent pulse and motif-based melodic improvisations. a unique sound that makes this three tracker remain to him at any spot. on the flip side kresy delivers a solid remix of the main track, forget me not. where he tames the wild things and crowns himself as their king.

epic and emotive tracks by japanese producer masanori nozawa on his vinyl debut! featuring quality remixes by hiroshi watanabe aka kaito and yuuki hori. another sign that japan has a lively scene with talented producers! timeless tracks that come in a small first run of 200 copies!

and so lux rec continue to reach out for all those ephemeral, eery noises which are so dear to them. unlit corners on half emptied dance floors. give in to suffer, loss and sadness. embrace it. believe...
lux recs first record for 2015 is a dark and moody affair coming from momentform, a french musician that has no fear to plunge into obscurity, melancholy, a somber look into memories that are too painful to forget. yet, he transformed all those postcards from the past into listening and dance material. our last dance together. turn off the lights when leaving.
pressing on dark translucent, smikey marbled vinyl.

young echo is the bristol, uk based producer collective of amos childs (jabu, killing sound, zhou), cris ebdon (ishan sound, zhou), sebastian gainsborough (baba yaga, killing sound, rei, vessel, flexible ape, panther modern), sam kidel (el kid, killing sound), joseph mcgann (baba yaga, gorgon sound, kahn) and alex rendall (jabu, killing sound).

great new release from the kitsune stable. and this is a sure shot. simplicity and logic are logos ephemeral aesthetics mammals. the writing is not narrative, the speech does not have a say. logo does not tell stories. logo is kitsunes latest signing and they really strike a blow with their first ep >la vie moderne< which already features two hits: >junocide< and >la vie moderne<, both in their original and auto-remixed versions.

this is gajek. this is 17. come in, feel free. dont worry if you see a flute in the sink. matti gajek s followup to his 2014 debut album restless shapes opens the floodgates to signals from a future best navigated by ear. moving through polyphonic pulses, layers of grooves and sounds, zooming in and out of ever evolving patterns of concentration and decomposition, the ten tracks of gajeks 17 are electrifyingly futuristic clubmusic true to the almost five decades old motto of berlins zodiak free arts lab: ãtotal freie musik - totally free music. paying tribute to electronic pioneers like hans-joachim roedelius and florian fricke while staying clear of historical mystification gajek revisits the abstract clarity and improvisational audacity of 1970s electronics from a perspective this is not 71. today motoric rhythms emerge and elapse from postdigital aural scapes, intense and sublime, linking the thermodynamic to the ephemeral. beyond the echoes of past utopias 17 discovers present signs for possible tomorrows.

larry gus, buergerlich panagiotis melidis und seines zeichens multi-intrumentalist, produzent und sŠnger wurde in veria, griechenland geboren. drei jahre nach stitches, seinem debuetalbum, meldet sich der grieche mit neuer langspielplatte zurueck